One significant way, however, that Gerwig’s “Little Women” intentionally departs from its predecessors is in its nonchronological approach. ![]() ![]() ![]() More than anything, this is a film in love with its characters’ passions, a rich and effortlessly vibrant examination of the four March “little women” (so called by their father) and the ways, at least initially, they’re practically bursting with the innocent it’s-happening-right-now joy of being young and alive. Though dealing at its very core with questions of equality - with still-timely concerns about the economic difficulty women face in living independent lives - the key to the appeal of this 00“Little Women” is its remarkable emotional accessibility, its vibrant picture of four girls alternately blessed and frustrated by the closeness of sisterhood.
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